主題講者 Keynote Speaker
演講題目 Title of the Speech
演講地點 Location
第一演講室 1st Lecture Room
Maud Ellmann 於 1982 年獲得牛津大學博士學位,現擔任美國芝加哥大學英文系教授。研究領域為歐洲現代主義、二十世紀英國文學、動物研究、愛爾蘭文學、詩與詩學、及批判理論,尤其是精神分析及女性主義。
Maud Ellmann received her PhD degree at the University of Oxford in 1982 and is currently a professor teaching in the Department of English Language and Literature at the University of Chicago. Her research and teaching interests lie in European modernism, 20th-century British literature, animal studies, Irish literature, poetry and poetics, and critical theory, particularly psychoanalysis and feminism.
Maud Ellmann received her PhD degree at the University of Oxford in 1982 and is currently a professor teaching in the Department of English Language and Literature at the University of Chicago. Her research and teaching interests lie in European modernism, 20th-century British literature, animal studies, Irish literature, poetry and poetics, and critical theory, particularly psychoanalysis and feminism.
以下為其部分發表著作:
Below is a list of selected publications:
Below is a list of selected publications:
“On Not
Being Able to Paint: To the Lighthouse.”Blackwell
Companion to Virginia Woolf. Ed. Jessica Berman. Oxford: Blackwell. In
press.
“‘Eating, Obesity and Literature.” The Cambridge Companion to the Body in Literature. Eds. David Hillman and Ulrika Maude. Cambridge UP. In press.
“Sylvia Townsend Warner.” Online Research Review in “Transitional Writers,” Oxford Handbook of Modernisms. Ed. David Trotter. Oxford UP. In press.
“A Technique of Unsettlement: Freud, Freudianism, and the Psychology of Modernism.” The Cambridge History of Modernism. Ed. Vincent Sherry. Cambridge: Cambridge UP. In press.
“Yeats Without Ireland.” The Journal of English Language and Literature 60.4 (2014): 559-575.
“Endings.” The Cambridge Companion to Ulysses. Ed. Sean Latham.Cambridge: Cambridge
UP, 2014. 95-109.
“Psychoanalytic Animal.” The Blackwell Companion to Psychoanalysis, Literature, and Culture. Ed. Laura Marcus and Ankhi Mukherji. Oxford: Blackwell, 2014. 328-350.
“More Kicks than Pricks: Modernist Body-Parts.” Modernism and Theory: A Handbook of
Modernist Studies. Ed. Jean-Michel Rabaté. Oxford: Blackwell, 2013. 255-280.
“The Art of Bi-Location: Sylvia Townsend Warner.” The Palgrave History of British Women’s
Writing, 1920-1945. Ed. Mary Jouannou. London: Palgrave, 2012. 78-93. Reprinting in
2015.
“James Joyce.” Great Shakespeareans: Joyce, T.S. Eliot, Auden, Beckett. Vol. 12. Ed. Adrian
Poole. London: Continuum, 2012. 10-56; 204-9. Reprinted in the Bloomsbury Arden
Shakespeare series, 2014.
“‘Eating, Obesity and Literature.” The Cambridge Companion to the Body in Literature. Eds. David Hillman and Ulrika Maude. Cambridge UP. In press.
“Sylvia Townsend Warner.” Online Research Review in “Transitional Writers,” Oxford Handbook of Modernisms. Ed. David Trotter. Oxford UP. In press.
“A Technique of Unsettlement: Freud, Freudianism, and the Psychology of Modernism.” The Cambridge History of Modernism. Ed. Vincent Sherry. Cambridge: Cambridge UP. In press.
“Yeats Without Ireland.” The Journal of English Language and Literature 60.4 (2014): 559-575.
“Endings.” The Cambridge Companion to Ulysses. Ed. Sean Latham.Cambridge: Cambridge
UP, 2014. 95-109.
“Psychoanalytic Animal.” The Blackwell Companion to Psychoanalysis, Literature, and Culture. Ed. Laura Marcus and Ankhi Mukherji. Oxford: Blackwell, 2014. 328-350.
“More Kicks than Pricks: Modernist Body-Parts.” Modernism and Theory: A Handbook of
Modernist Studies. Ed. Jean-Michel Rabaté. Oxford: Blackwell, 2013. 255-280.
“The Art of Bi-Location: Sylvia Townsend Warner.” The Palgrave History of British Women’s
Writing, 1920-1945. Ed. Mary Jouannou. London: Palgrave, 2012. 78-93. Reprinting in
2015.
“James Joyce.” Great Shakespeareans: Joyce, T.S. Eliot, Auden, Beckett. Vol. 12. Ed. Adrian
Poole. London: Continuum, 2012. 10-56; 204-9. Reprinted in the Bloomsbury Arden
Shakespeare series, 2014.